Summary
This Success Criterion ensures that users with disabilities are not rushed to perform tasks on digital interfaces. It allows for turning off, adjusting, or extending time limits except where necessary, ensuring the website functions remain fully accessible and non-discriminatory for all users.
Lyrics
VERSE 1:
Down by the harbor where the boats come in
I watched old Charlie with his weathered skin
Try to use that fancy map upon the screen
But his hands ain’t steady like they used to been
Two point five point seven, that’s the way
Every soul deserves to sail today
When dragging’s hard with trembling hands so worn
There’s got to be another way by morn
CHORUS:
No need to drag me down, just tap and click around
From the lighthouse to the shore, everyone needs an open door
Single pointer’s all we need, simple actions guaranteed
No need to drag me down, there’s always another way to town
VERSE 2:
Sarah uses her head pointer to navigate the bay
Can’t hold and move like others, but she finds her way
A slider needs a text box standing by its side
Click to set the anchor where the ships can hide
Not just keyboards for the landlocked few
Touch screen sailors need alternatives too
From color wheels to sorting lists so long
Every interface can sing inclusion’s song
CHORUS:
No need to drag me down, just tap and click around
From the lighthouse to the shore, everyone needs an open door
Single pointer’s all we need, simple actions guaranteed
No need to drag me down, there’s always another way to town
BRIDGE/OUTRO:****
So when you’re building bridges ‘cross the digital sea
Remember those with different abilities
Two point five point seven guides us true
Making sure the web works for me and you
One click here, one click there
That’s how we show we care
Sound Influences
canadian maritime folk, acoustic guitar fingerpicking, traditional folk melody, baritone vocals, historical narrative lyrics, sea shanty influences, story-song structure, unaccompanied vocal harmonies, canadian folk tradition, nautical themes, minor key passages, parlor guitar style, close-mic intimate recording, solo performance, ballad tempo, celtic folk influences
Version Number: 1.2